It was released by Roulette Records, then later reissued by Capitol Records. He was playing and collaborating with artists such as Garvin Bushell, Herb Flemming and the legendary Louis Armstrong.
Lester Young takes a solo chorus, beginning on a somewhat dissonant note the sixth degree of the scale and false fingerings--ways of playing the same note with unusual combinations of fingers, thus producing a sense of timbral variation in a repeated-note performance.
LouisNew Orleansand Chicago. When Young complained of Herschel Evans ' vibrato, Basie placed them on either side of the alto players, and soon had the tenor players engaged in "duels".
Such a beautiful enigma.
His spirit shines through in everything he does, and this recording is awesome. Late one night with time to fill, the band started improvising. After Hawkins there have been several other tenor players of note who brought about either innovations — or at the very least significant changes to the genre — including: They always made you feel better.
On both sides, it can be a lot of fun. He settled in New York during this time to focus on playing with the group. And do we need to mention the impeccable program? I discouraged choosing compilations over original album releases, except when it came to pre-LP players working in swing and early bop.
In the left channel is reality as we knew it, pre-Einstein. But Sonny is great on all his albums.
So in coming up with a cover-story concept for this June sax issue, I thought about the importance of the tenor and how it functions as a cultural icon for jazz. Jimmy Rushing sang with Basie in the late s. Note that the trombone chord, just before the downbeat, is accented by drummer Jo Jones e.
Once the musicians found what they liked, they usually were able to repeat it using their "head arrangements" and collective memory.
While there, he was picked to be the replacement saxophonist for Ben Webster at the 3 Deuces where he established himself as a formidable and talented tenor player. Basie's man band began playing at the Famous Doora mid-town nightspot with a CBS network feed and air conditioningwhich Hammond was said to have bought the club in return for their booking Basie steadily throughout the summer of He hated music publishers and agents for having unfair power over their artists.
Durham persuaded him to switch from alto to tenor saxophone, the instrument that ultimately established Evans's reputation. Some time aroundBasie adopted his trademark yachting cap.
He quickly learned to improvise music appropriate to the acts and the silent movies. The instrumentation is outstanding-almost like a little big-band at times-and all the soloists are on fire.Aug 22, · Nearly 1, discs containing performances by masters like Coleman Hawkins, Lester Young, Billie Holiday and the long-neglected Herschel Evans suddenly re-emerged when the son of the audio engineer, William Savory, sold them to the museum.
The museum is doing its best to clean up and digitize the recordings. Evans was born in Denton, Texas, but spent some of his childhood in Kansas City, Kansas, where his cousin Eddie Durham was a trombonist and guitarist.
Durham persuaded him to switch from alto to tenor saxophone, the instrument that ultimately established Evans's reputation. EVANS, HERSCHEL (–). Herschel Evans, musician and composer, was born in Denton, Texas, in and spent some of his childhood in Kansas City, Kansas, where his cousin Eddie Durham was a trombonist and guitarist.
Durham persuaded him to switch from alto to tenor sax, the instrument that ultimately established Evans's reputation. Soloists: Basie - piano, Lester Young - tenor sax, Herschel Evans - tenor sax, George Hunt - trombone, Buck Clayton - trumpet.
Style: This song is in the KC style of. Tenor Essentials The 50 most important tenor saxophone albums in jazz history. 0. By. 1. By.
1 of 2 Next. So in coming up with a cover-story concept for this June sax issue, I thought about the importance of the tenor and how it functions as a cultural icon for jazz.
You need more than this-the Decca stuff with Basie and Herschel.
Herschel Evans was one of the all-time greats of tenor saxophone, one of the strongest assets of the Count Basie. After hearing his introduction of “Georgianna” I was hopelessly addicted to.Download